the true flat earth conspiracy – part i
This article is written by a stupid person for stupid people everywhere.
If you think you are smart,
please vacate these premises & head quick-smart
to the future…
… being prepared for you.
~ ~ ~
Let’s begin today by suggesting that the “Flat Earth Theory” is being manoeuvred into the mainstream consciousness-diet for a very unsavoury reason.
Using Matt Delooze’s ideas of …
… ‘emotional respect energy = spiritually binding acceptance’, we play today with the idea that all is not what it seems…
The ‘Flat Earth Theory’ is an intriguing, entertaining & ideal serious-toy to play with, in terms of stretching our minds out of their inflexible patterns.
The problem is that it may be camouflaging
an even greater deception.
Question: Are ‘Flat Earthers’ are being tricked into calling for & accepting…
QUITE different to the truth
about the shape of this earth.
Just for today I’m going to suggest that they are being manipulated into symbolically calling for & accepting, on behalf of the human race, the levelling of our 3 dimensional world into a group of 2 dimensional surfaces.
There are a lot of people out there who “want the world to be flat”, & who are emotionally charged & excited about the idea.
I suggest that a flattened earth is vital to achieve the long-planned take-over of this world, by the luciferian-slash-serpent-cult underlords (or whatever name you choose to use) of this world/plane.
This article is serious-play designed to stimulate new ideas – we’re not looking to prove anything. Keep your mind light-weight, fluid, organic.
This world is organic & 3 dimensional. A fleshed out, sensual …
… curvaceous, living, breathing life form. Its natural inhabitants are of the same kind.
Its unnatural inhabitants are 2 dimensional. They don’t belong here & they lack the organic, rounded, fullness of natural life. They are ‘flat’ & they are drawn to …
flat or geometric surfaces.
Another way to say this is that Lucifer / Serpent Cult owns the 2D realm – anything that operates from there is under his jurisdiction & ownership.
Today we examine the idea that his/their intent is to ‘flatten out’ this world so that it becomes a viable plane to carry out a grand scheme – we’ll come to that in part ii.
We could look at the last 500 years as the culmination of an eons long plan where the plane/plane was built, the cargo loaded, the crew primed & ready for action & the passengers were aboard & ready for the flight to their New World destination.
Everything was put in place back then.
It just needed time to get it off the ground.
Please understand &
remember the following:
The Renaissance primed us for the flattening effect that has now reached dangerous proportions.
It began with geometry & mirrors. It probable always does.
The Renaissance introduced humanity to the ‘magic’ of images on a flat surface, that had the appearance of depth.
Perspective (from Latin: perspicere to see through) in the graphic arts is an approximate representation, on a flat surface (such as paper), of an image as it is seen by the eye. The two most characteristic features of perspective are that objects are smaller as their distance from the observer increases; and that they are subject to foreshortening, meaning that an object’s dimensions along the line of sight are shorter than its dimensions across the line of sight.
One of the most interesting ideas of Matt’s I have read is that rituals require people who carry the ‘relevant symbolism‘. I think this is monumentally important to understand. So let’s look at the symbolism of the ‘godfather’ of our flattened earth – Filippo Brunelleschi:
There is little biographical information about Brunelleschi’s life to explain his transition from goldsmith to architect and, no less importantly, from his training in the gothic or medieval manner to the new classicism in architecture [we] call the Renaissance and of which Brunelleschi is considered the seminal figure.
If you have not read my previous article about the harnessing of male energy you won’t get the full relevance. Gold is the metal of the sun. We are told that Brunelleschi is considered the ‘seminal’ figure. We don’t need to go to conspiracy writers to find truth – any writer will tell you if you open your 3d eyes & listen.
Filippo Brunelleschi (1377 – April 15, 1446) was an Italian designer and a key figure in architecture, recognised to be the first modern engineer … He was the oldest amongst the founding fathers of the Renaissance … Heavily depending on mirrors and geometry … his formulation of linear perspective governed pictorial depiction of space until the late 19th century. It also had the most profound – and quite unanticipated – influence on the rise of modern science.
In about 1413 … Brunelleschi, demonstrated the geometrical method of perspective, used today by artists, by painting the outlines of various Florentine buildings onto a mirror. When the building’s outline was continued, he noticed that all of the lines converged on the horizon line … he then set up a demonstration of his painting of the Baptistery in the incomplete doorway of the Duomo …
…He had the viewer look through a small hole on the back of the painting … then set up a mirror, facing the viewer, which reflected his painting. To the viewer, the painting of the Baptistery and the building itself were nearly indistinguishable.
Fooling or freezing the eye …
has come a long way since then of course.
But the Renaissance was the first serious introduction to flattening our vision.
I believe we need to see 3 Dimensionally in order to live 3 Dimensionally. The visual system is hugely important to how we live.
We live as we see
From a previous aticle:
What say you to the idea that sight
is but the secondary purpose
of our visual system?
This is the claim of a German man, Peter Grunwald who currently lives in NZ. His sight was once so bad that he wore glasses in the shower. Now he travels the world (& his shower) without specs & teaches his ‘views’ to those with ears to hear.
He sees our eyes & all they are attached to i.e. us, in a radically different way. And as far as he is concerned the PRIMARY function of our visual system is the coordination of our mental, emotional & physical states.
Think of what is happening in vision-flattening as a reverse version of those …
… magic eye 3d pics – we went from seeing things fully ’rounded’ to flattening out our vision & getting stuck on surface illusion by the use of geometry, angles, mirrors & visual cues etc.
Introducing your retina:
“The retina is the third and inner coat of the eye which is a light-sensitive layer of tissue. The optics of the eye create an image of the visual world on the retina (through the cornea and lens), which serves much the same function as the film in a camera”
The word retina is … interesting
retina (n.) late 14c., … probably from Vulgar Latin (tunica) *retina, literally “net-like tunic,” on resemblance to the network of blood vessels at the back of the eye, and ultimately from Latin rete “net“
Welcome to the place where your inner-net meets the internet:
The retina is a layered structure with several layers … photoreceptor cells. These are mainly of two types: the rods and cones. Rods function mainly in dim light and provide black-and-white vision, while cones support daytime vision and the perception of colour.
I believe this flattening effect is being used to create a gigantic …
… FLAT surface of connected-everybody-&-everything.
Actually I think it will probably be more of a…
… faceted type surface, one that catches & reflects maximum “light” – so important for your everyday solar worship cult. I believe this surface will have an enormous transmitting & charging capacity.
We go where our eyes lead, but it’s not just our eyes that have been flattened or turned 2D.
All our senses are under attack. Not surprising really because it is sensory combinations that make our world & our experiences organic/3D.
Important combinations are now being divorced & made single (& very sad).
A few examples:
There are roses without smell.
There is furniture without comfort.
There is food without flavour.
There is leisure without rest.
There is touch without care.
These results are not about cheapness, economy or fashion. They are a pre-mediated flattening agenda on a global scale. Let me show you what sensory combination is to your sight:
“The brain’s task is not to see retinal images, but to relate signals from the eyes to objects of the external world, as essentially known by touch. Exploratory touch is very important for vision. It matters that touch-vision relations remain unchanged”
What this means is that we see BECAUSE we have touched.
“The retina is the interface between the optical projection from objects to the neural-coded signals to the brain … which are related to touch experience of objects. The inversion of the image does not matter: what matters is the relation of the brain’s visual signals to those from touch. Indeed without touch retinal images would have little or no meaning“.
In the book Eye & Brain by Richard Gregory is the story of a blind man who after an operation had his sight restored. Restored sight for those born blind is an arduous event – they have to learn to see. The most fascinating thing about this story is that this man could ‘see/understand’ things he learned by touch as a child.
He had ‘learned’ the capital letters of the alphabet by touch & so was able to name them yet he could not recognise or name lower case letters. The following paragraph is so telling:
“We showed him a simple lathe [in] a glass case at the Science Museum in London … With the case closed, he was quite unable to say anything about it, except that the nearest part of it might be a handle … but when he was allowed to touch it …he immediately said with assurance that it was a handle. He ran his hands eagerly over the rest of the lathe, with his eyes tight shut for a minute or so; then he stood back a little, opening his eyes and staring at it, he said: ‘Now that I’ve felt it I can see’.”
The most awful thing about this story is that this man given sight fell into a deeper & deeper depression:
“He gradually gave up active living, & three years later he died. Depression in people recovering sight after many years of blindness is a common feature…”
My new (&basic) understanding of how sight this works goes like this:
At birth everything looks kind of glooped together – it’s all one. Over time as the baby ‘feels’ its way in the world, it learns where people and objects end & begin – it feels their shape & so it can then ‘see’ them.
… & then our visual system takes over, based on this touch information & creates visual maps/shortcuts.
Therefore to truly know something
you have to have felt/touched it.
Question: Why do you think the entertainment industry put so MUCH effort into getting US to ‘feel’ while watching THEIR movies?
“Therefore to truly know something you have to have felt/touched it.”
Question: Why are they called move-ies?
Move … to arouse or excite the feelings or passions of; affect with emotion
If touch comes first – then is the ‘entertainment’ industry is getting us to ‘feel’ first so that we will SEE what they choose for you to see?
Let’s get back to today’s play theory.
A luciferian agenda is set full sail ahead into creating a flat earth.
This Luciferian cult always uses geometry to mimic the organic because it lacks the life force necessary to give birth to living beings. Therefore it constantly creates look-alikes – always getting as close as possible to the real thing …
… in a linear kind of way.
Even their penises have sharp corners!
At the same time this agenda seeks to flatten out human-organic life by seducing the eye & body of humanity into its 2d reality.
This is a two pronged attack.
The very method of attack is two dimensional – it always is.
It has to be that way.
There always has to be two sides – because their dimension is 2d.
They cannot achieve ‘depth’.
So they create the illusion of depth by having, controlling & running
Geometry, mirrors, illusion, hard surfaces, lines, cubes, technology – all work to flatten out, straighten out our soft, succulent existence into something hard, modular & mechanical.
Loss of depth = death.
They don’t call it …
… flat-lining for nothing.
If your senses are flattened how will you feel/see a lie? And even if you do how will you know how to act?
The coin is the icon of this world because it has two sides. This is the altar upon which they always work. All you have to do is TAKE ONE SIDE.
The altar could be two political parties vying with each other, two religions at war, a super-hero fighting his nemesis, good verusing evil etc etc etc etc etc etc etc – wherever two are gathered in the name of that ‘c’ word – competition – there you will find Lucifer/the Satanic Cult feasting & flattening.
Organic beings are NOT the other side of any coin. No coins or sides are involved. Organic beings are soft, supple & expanded. They have depth – infinite depth.
As always what I can write here in the time available to me is limited.
If I could I’d bring you a world of information I would, – but that would do you no good. I can only ever bring 50% – it’s up to you what you bring with your 50% – each person will interpret this information differently & to be honest I’m only scratching the surface of something so huge, but also
something that is …
… NOT deep.
We are dealing with something like a cloak or a coating over this world.
It does NOT have depth –
it just looks like it –
& we have been told as much.
…Take heart, we are up against a flat illusion.
Let me finish for now, with a promise to return & add more depth to this topic.
I want to leave you with a look at one way the modern flattening agenda was slipped/ or should I say marketed into, mainstream consciousness.
Once again it was done through ‘art’.
When I read the following I experienced a moment of mind-blowing clarity – again if you haven’t read my article on ‘cock-worship’ (or if you were frightened by it) you won’t get this:
art for art’s sake = “arrs gratia artis” appeared in the oval around the roaring head of the lion in the Metro Goldwyn Mayer movie.
Perhaps, maybe, just maybe did you get it?
The words quoted were innocently written. Innocently written words are often the best source of clarity. I think a natural trait of humans is to tell the truth even when we don’t realise we are saying it. That’s why you can listen to anyone & hear truth.
How many times have you watched the lion ‘roar’?
The lion is a ‘claimed’ symbol of the solar cult. The solar cult is a complete & utter cock worshipping cult – the cock is at its centre, it is its very foundation.
the “roaring head” of the lion …
… can mean only one thing & I’m not supplying an image, but it is seminal to the solar cult.
I no longer believe in art for art’s sake. I have been wondering if artists have always been the spies of the Luciferian cult.
I wonder now how many were ‘channels’ rather than geniuses.
The power of art has not been made clear to us.
Right now I’m playing with the idea that artists have been used over the centuries to try to flush out “the creator’ – so that Lucifer can take him down.
Buts that’s another article (& no I haven’t gone ‘religious’).
So for today I will end with the most famous artistic entity of the 20th century …
… whose work lies behind the fast-track to flattening the eye in the 20th century.
His idolised work has Johnthebaptisted the way for the Luciferain agenda to take a powerful hold over the visual systems of 20th century humans – paving the way for the really ‘cool’…
… 2d crystalizing effect that has taken this world by storm.
As Matt Delooze might say, Pablo Picasso came into this world bearing the relevant symbolism that made him an ideal puppet for the ‘serpent cult’.
“Picasso came out stillborn. He did not breathe: neither did he cry. The midwife gave up … if it hadn’t been for the presence of his uncle, Dr Salvador Ruiz, the infant might never have come to life … he leaned over the stillbirth & exhaled cigar smoke into its nostrils. Picasso stirred. Picasso screamed”
Salvador = saviour. Ruiz = famous ruler.
“He breathed the breath of life into the man’s nostrils, and the man became a living person.”
Golems are also created this way.
Pablo was devoted to his younger sister, whose death at the age of seven apparently traumatized him … after the death of Conchita, [his] painted portraits show a sudden leap in skill.
A life granted & a death-fee paid may have been the foundation of this ‘genius’ that the world has been instructed to honour.
It is very VERY rare for an artist to be deified & made extremely wealthy during their lifetime. However service to the serpent cult always pays richly – whether or not the puppet is aware of their contribution or hand they are dealt:
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century
… around 1910 Picasso and his friend Georges Braque, stirred by Cezanne’s late destructions of solid form into crystallographically faceted structures that were somehow both broken and coherent at the same time, went for the kill…Although he spoke of his cubist experiments as beginning in pure compositional painting, he also insisted that they were of something other than themselves … By blowing up the apparent look of things – and people – the cubists were saying that they were offering an alternative reality, the reality of memory or shifting perspective.
“Any form that conveys to us the sense of reality,” Picasso said many years later, “is the one furthest removed from the reality of the retina; the eyes of the artist are open to a superior reality; his works are evocations.”
Evocation is the act of calling upon or summoning a spirit, demon, god or other supernatural agent, in the Western mystery tradition.
On dissecting the world:
In 1910 Braque & I started taking everything apart in painting: shadows, lines, spaces.
“Even Braque & I did not understand it”
“Amazing pictures that made space solid in a way I found exhilarating.”
“Shaded things were light, light things were shaded, spaces were solid, and solid things became space.”
“I don’t think I have a choice. Painting is stronger than I am – it makes me do what it wants”
Some snippets about the man who broke apart reality to re-form 3d into 2 dimensionality on a flat surface – the look that has become so prized:
“When Picasso wanted to turn on the charm, he trapped his victim in an intense black gaze. Lovers, friends, family & even museum curators all hankered after that feeling of intimacy, & would tolerate endless abuse in order to retain it”
“He was a bit of a vampire. You’d have a great time with him … but at the end of the day you’d wonder why you felt utterly, utterly exhausted! What Picasso did was to take each person’s energy and love for him and fascination with him, and then he’d go off and work all night on the energy of his guests and his second wife, Jacqueline.”
“Speaking of Picasso’s vampiric quality, several of his women came to unfortunate ends—his first wife, Olga, would sometimes need to be institutionalized, and both Marie-Thérèse and Jacqueline, his second wife, committed suicide. Was it due in part to the draining emotional toll of their relationships with Picasso?”
“Painting is not made to decorate apartments. It’s an offensive & defensive weapon against the enemy”
To be continued …